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The Saga Begins on the Elizabethan Stage

William Shakespeare's Forsooth, the Phantom Menace: Star Wars Part the First - Ian Doescher

Ian Doescher takes on the task of bringing the Star Wars prequels to the Elizabethan stage in “William Shakespeare’s The Phantom of Menace” to fantastic results that will be jarring to any of those who dislike the film.  Given the first prequel’s notorious reputation amongst the Star Wars fandom, Doescher gives the maligned film a magnificent theatrical presentation that would make any hardcore fan happy.


The biggest issue Doescher had to deal with was obviously Jar Jar Binks, who instead of being just a vacant-minded fool is instead a radical-who-plays-the-fool to help united the Gungans with the Naboo.  As one reads, you notice the subtlety that Doescher gives to Jar Jar as the acting fool in front of everyone else and his true political radical personality in soliloquies and asides.  The other issue that Doescher dealt with was the 10-minute podrace, his answer was by following Shakespeare’s led in having Padme and Jar Jar act as messengers relating the action of the race to Qui-Gon and Shmi and those the audience.  Once Doescher had dealt with these two big issues the rest of “The Phantom of Menace” was like his previous three Star Wars Shakespearean adaptations, keep true to the film while adding background for characters in soliloquies and asides.  Doescher even has fun with Qui-Gon and Mace Windu’s dialogues by sprinkling references to Liam Neeson and Samuel L. Jackson’s other film roles but still staying true to the scene in which they are in.


Overall “The Phantom of Menace” is a wonderful adaptation and is a credit to Ian Doescher’s imaginative writing that makes it feel better than its film inspiration.  Whether or not you like The Phantom Menace, if you like Doescher’s Shakespearean adaptations do not hesitate to read this one because you will enjoy it.