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In popular imagination the medieval period is a time of ignorance and superstition, fear and violence, and crushing religious intolerance of anything the Church was against.  Mysteries of the Middle Ages is the fifth volume of Thomas Cahill’s ‘Hinges of History’ series, focusing on the individuals in the High Middle Ages who shaped Western society that we know today.  Over the course of 300+ pages, Cahill sets out to give his reader a new way to look at the Middle Ages.

Cahill begins the book not during the Middle Ages, but in the city of Alexandria in Egypt looking at how the Greco-Roman and Judeo-Christian traditions began their long processes of synthetization began before exploring how the Romans became the Italians as a way to differentiate between the Greek East and Latin West for the rest of the book.  Then beginning with Hildegard of Bingen, Cahill makes the reader look at the Middle Ages in a vastly different way by showing the power and importance of 12^th century Abbess who would one day be declared a saint then turned his attention to a woman of secular power, that of Eleanor of Aquitaine who held political power in a significant way while also allowing the developing “courts of love” evolve.  This evolving form of culture spread into the Italian peninsula and influenced a young man from Assisi, Francis who would shift this emphasis of earthly love into spiritual love.  The focus of the spiritual then shifted to Peter Abelard and St. Thomas Aquinas who became to emphasis the thoughts of Aristotle over those of Plato in theological discussions while Roger Bacon used Aristotle to begin examining the world around him and thus science that we see today.  Yet the world around those during the High Middle Ages began to influence art and literature in both secular and spiritual ways from the Cathedral of Chartres to the works of Dante and Giotto would have influences even to today.

Although Cahill readily admits that he could have and wanted to discuss more individuals from a wider swath of Europe, he does an adequate job in showing that the Middle Ages were not what the popular view of the time period was believed to be.  Cahill several times throughout the book emphasizes that the Middle Ages, especially from the 12^th to the early 14^th centuries, were not a time of stagnate culture that the humanists of the Renaissance began calling it.  However, Cahill’s asides about Islamic culture as well as the Byzantines were for the most part a continuation of centuries-long mudslinging or a product of today’s ideological-religious conflicts and ironically undermined one of his best arguments, the role of Catholicism in shaping Western society.  Cahill’s Catholicism was that of all the individuals he wrote about, who were Christians, not the Church and its hierarchy that over the course of the High Middle Ages became a point of embarrassment to both lay and cleric alike.

Mysteries of the Middle Ages shows the beginnings of the synthesis of the two strains of Western society, Greco-Roman and Judeo-Christian, that Thomas Cahill has built up to in his previous four books.  As a popular history it very well written, but its flaws of modern and centuries old prejudice undercut a central theme Cahill was developing and wrote about at the end of the book.  Yet I cannot but call it a good book to read.